Westmores

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 Three legendary and scandalous generations of movie makeup artists, beginning with his six sons—Perc, Ern, Monte, Wally, Bud, and Frank. By 1926, Monte, Perc, Ern, and Bud had penetrated the industry to become the chief makeup artists at four major studios, and all continued to break ground in new beauty and horror illusions until the end of their careers. In 1921 Monte became Rudolph Valentino's sole makeup artist.When Valentino died in 1926, Monte went toSelznick International where, thirteen years later, he worked himself to death with the enormous makeup demands for Gone with the Wind (1939).In 1923, Perc established a blazing career at First National-Warner Bros. and, over twenty-seven years, initiated beauty trends and disguises including Bette Davis's eyebrowless, almost bald, whitefaced look in The Private Lives of Elizabeth and Essex. Ern, at RKO from 1929 to 1931 and then at 20th Century Fox from 1935, was adept at finding the right look for stars of the 1930s. Wally headed Paramount makeup from 1926, where he created, among others, Fredric March's gruesome transformation in Dr. Jekyl and Mr. Hyde (1931). Frank followed him there. Bud led Universal's makeup department for twenty-three years, specializing in rubber prosthetics.Together, they built the House of Westmore salon, which served stars and public alike. Later generations have continued the name, including brothers Michael and Marvin who have excelled in special makeup effects, such as in Blade Runner (1982), Mask (1985) and Raging Bull (1980).

References:

http://en.wikipedia.org/wiki/Westmore_family
http://www.filmreference.com/Writers-and-Production-Artists-Vi-Win/The-Westmore-Family.html